The Danish Girl (Original title)
Dates: 2015 (Copyright), 01 January 2016 (Release)Countries: USA, United Kingdom, Denmark, Belgium, JapanDirector: Tom Hooper
Synopsis: In 1920s Copenhagen, Gerda, a painter, asks her husband and fellow artist Einar to stand in for a female model so she can complete her latest painting. Einar is overwhelmed by the experience and begins to question his gender identity, eventually becoming one of the first known recipients of gender reassignment surgery.
Genre: Biopic
Subjects: Cross-dressers, Transexuals, Marriage, Painters (fine art)
Releases
Date: 27 November 2015Country: USARelease type: TheatricalFormat: not specified - Colour - SoundAspect ratio: 1.85:1Runtime: 120 mins Dialogue (original): English / Dialogue (original): French / Subtitles: English
Date: 01 January 2016Country: United KingdomRelease type: TheatricalFormat: not specified - Colour - SoundAspect ratio: 1.85:1Runtime: 119 mins 35 secs - Dialogue (original): English / Dialogue (original): French / Subtitles: EnglishDistributor: Universal Pictures International UK & Eire
Date: October 2018Country: United KingdomRelease type: InternetFormat: not specified - Colour - SoundRuntime: 120 mins Dialogue (original): EnglishDistributor: BFIPlayer
Author: Richardson, Niall Pages: 189 pages
Description: The book also mentions Romeos (2011), Boy Meets Girl (2014) and Saturday Church (2017).
Dates: 2015 (Copyright), 01 January 2016 (Release)Countries: USA, United Kingdom, Denmark, Belgium, JapanDirector: Tom Hooper
Synopsis: In 1920s Copenhagen, Gerda, a painter, asks her husband and fellow artist Einar to stand in for a female model so she can complete her latest painting. Einar is overwhelmed by the experience and begins to question his gender identity, eventually becoming one of the first known recipients of gender reassignment surgery.
Genre: Biopic
Subjects: Cross-dressers, Transexuals, Marriage, Painters (fine art)
Releases
Date: 27 November 2015Country: USARelease type: TheatricalFormat: not specified - Colour - SoundAspect ratio: 1.85:1Runtime: 120 mins Dialogue (original): English / Dialogue (original): French / Subtitles: English
Date: 01 January 2016Country: United KingdomRelease type: TheatricalFormat: not specified - Colour - SoundAspect ratio: 1.85:1Runtime: 119 mins 35 secs - Dialogue (original): English / Dialogue (original): French / Subtitles: EnglishDistributor: Universal Pictures International UK & Eire
Date: October 2018Country: United KingdomRelease type: InternetFormat: not specified - Colour - SoundRuntime: 120 mins Dialogue (original): EnglishDistributor: BFIPlayer
Credits
(267)
©: Universal Studios, Production Company: Working Title, In association with: ReVision Pictures, Senator Global Productions, With the support of: Copenhagen Film Fund, In co-production with: Artémis Productions, Shelter Prod., In association with: Taxshelter.be, With the support of: Tax Shelter du Gouvernement Fédéral de Belgique, Presented in association with: Dentsu Inc., Inc. Fuji Television Network, Production Services Denmark: Marlowfilm Productions, Executive Producer: Linda Reisman, Executive Producer: Ulf Israel, Executive Producer: Kathy Morgan, Executive Producer: Liza Chasin, Produced by: Gail Mutrux, Produced by: Anne Harrison, Produced by: Tim Bevan, Produced by: Eric Fellner, Produced by: Tom Hooper, Co-producer: Jane Robertson, Co-producer: Ben Howarth, Co-producer: Nina Gold, Line Producer: Deborah Bayer Marlow, Line Producer: René Frotscher, Associate Producer: Tore Schmidt, Chief Operating Officer: Angela Morrison, Executive in Charge of Production: Michelle Wright, Production Executive: Sarah-Jane Robinson, Executive Vice President Film UK: Amelia Granger, Head of Business and Legal Affairs: Sheeraz Shah, Head of Finance: Shefali Ghosh, Financial Controller: Tim Easthill, Vice President of Development: Lucas Webb, Development Executive: Harriet Spencer, Development Assistant: Tilly Coulson, Production Supervisor: Jack Sidey, Production Co-ordinator: Cassie Metcalf-Slovo, Unit Production Manager: Claus Willadsen, Production Manager: Jo Wallett, Production Manager: Laurent Hanon, Production Co-ordinator: Hollie Foster, Production Co-ordinator: Thomas Yong, Production Co-ordinator: Dorothée Baert, Assistant Production Co-ordinator: Stuart Ewen, Financial Controller: Dan Hillsdon, Post-production Accountant: Tarn Harper, Assistant Post-production Accountant: Polly Wilby, Co-1st Assistant Accountant: Matthew Lawson, Ewen Taylor, Assistant Accountant: Emma Harman, Unit Manager: Bruno Cassoni, Alex Darby, Assistant Unit Manager: Chris Kennedy, Supervising Location Manager: Humphrey Milles, Aimé Ntakiyica, Location Manager: Rasmus Christoffersen, Location Manager: Leo Resnes, Location Manager: Raphaël Benoliel, Antonin Depardieu, Location Co-ordinator: Karin Kavanagh, Assistant Location Manager: Ben Bailey, Assistant Location Manager: Eleri Coulten, Location Scout: Damon Crane, Location Scout: Louis Cooper Robinson, Location Assistant: Isabella Ramsay, Post-production Supervisor: Tania Blunden, Co-post-production Supervisor: Faye Morgan, Production Secretary: Lindy Chambers, Production Assistant: Lawrence Mason, Production Assistant: Behnam Taheri, 1st Assistant Director: Ben Howarth, 2nd Assistant Director: Harriet Worth, 2nd Assistant Director: Bjørn Kopp, 2nd Assistant Director: Baudouin Du Bois, 3rd Assistant Director: Annie Hitchcock, Assistant to Tom Hooper: Chloé Dorigan, Crowd 2nd Assistant Director: Vaughn Stein, Script Supervisor: Laura Miles, Casting: Nina Gold, Casting: Anders Nygaard, Casting: Anja Philip, Casting: Sébastien Verbustel, Casting Associate: Lauren Evans, Extras Casting: Universal Extras, Casting Denmark: Casteriet, Screenplay: Lucinda Coxon, Based on the book by: David Ebershoff, Director of Photography: Danny Cohen, Director of Photography: Paul McGeachan, John Evans, A Camera Operator: Iain Mackay, Steadicam Operator: Iain Mackay, A Camera 1st Assistant: John Evans, B Camera 1st Assistant: Adam Coles, A Camera 2nd Assistant: Ian Jackson, B Camera 2nd Assistant: Dean Murray, Digital Imaging Technician: Anthony Bagley, Digital Imaging Technician Assistant: Shabbir Ahmed, Gaffer: Paul McGeachan, Gaffer: Roel Tanghe, Best Boy: Steve Roberts, Key Grip: Denis Warnier, Key Grip: Ilko Petkow, A Camera Grip: Alex Mott, B Camera Grip: James Sams, Video Assist Operator: Guy McCormack, Video Assistant: Steve Casali, Unit Stills Photographer: Agatha Nitecka, Visual Effects: Double Negative, Visual Effects Compositing Supervisor: Richard Reed, Visual Effects Supervisor: Stuart Lashley, Visual Effects Executive Producer: Fay McConkey, Visual Effects Producer: Moriah Etherington-Sparks, Visual Effects Co-ordinator: Helen McAvoy, Animation: Simon Irvine, Special Effects Supervisor: Paul Dimmer, Special Effects Supervisor: Søren Hvam, Special Effects Supervisor: Olivier de Laveleye, Special Effects Standby: Curtis Iggulden, Editor: Melanie Ann Oliver, 1st Assistant Editor: Alex Anstey, 2nd Assistant Editor: Alex Williams, Visual Effects Editor: Michael Cheung, Production Designer: Eve Stewart, Supervising Art Director: Grant Armstrong, Art Director: Tom Weaving, Art Director: Søren Gam, Art Director: Céline de Streel, Standby Art Director: Jo Ridler, Assistant Art Director: Matt Sharp, Assistant Art Director: Fréderic Delrue, Art Department Co-ordinator: Kristy Parnham, Set Decorator: Michael Standish, Set Decorator: Thierry Van Cappelen, Graphic Designer: Meg Jones, Graphics Assistant: Charlie King, Artist: Susannah Brough, Draughtsman: Ketan Waikar, Production Buyer: Rebecca Pilkington, Prop Buyer: Lasse Kjederqvist, Property Master: Craig Price, Prop Master: Jacob Stig Olsson, Petty Cash Buyer: Katie Adamson, Assistant Petty Cash Buyer: Samantha Sussex, Chargehand Dressing Propman: Mike Syson, Gareth Bailey, Dressing Propman: Roddy Dolan, Danny Price, Standby Propman: Chris Chandler, Andy Forrest, Prop Maker: Mike Houseman, Art Department Assistant: Chester Carr, Construction Co-ordinator: Seamus Hawthorne, Construction Co-ordinator: Thomas Frisch, Construction Manager: Darren Hayward, Construction Manager: Michael Madsen, Construction Manager: Bernard Coyette, Costume Designer: Paco Delgado, Assistant Costume Designer: Sally Turner, Costume Supervisor: Hannah Walter, Key Costume: Louize Nissen, Costumier UK: Carin Hoff, Dougie Hawkes, Costumier: Danielle Everett, Costumier: Joanna Roderick, Costumier: Anna Reynolds, Martin Clarke, Key Costumier: Catherine Marchand, Regina Van Eijden, Costume Assistant: Emily Bowen, Principal [Costume] Standby: Jessie Gelpke, Sunita Singh, Crowd [Costume] Standby: Anna Spencer, Amy Pollitt, Crowd Mistress UK: Felicity Wyatt, Make-up and Hair Designer: Jan Sewell, Crowd Make-up Supervisor: Renata Gilbert, Make-up and Hair Artist: Annette Field, Key Make-up Artist: Carmel Jackson, Make-up Artist: Fabienne Adam, Make-up Artist: Marie Brabant, Make-up Artist: Caroline Case, Make-up Artist: Koko Charki, Carole Louis, Prosthetics Designer: Jan Sewell, Title Design: LipSync, End Roller: Fugitive Studios, Music: Alexandre Desplat, Music Composed and Conducted by: Alexandre Desplat, Music Performed by: London Symphony Orchestra, Piano: David Arch, Orchestra Leader: Carmine Lauri, Orchestrations: Alexandre Desplat, Orchestrations: Jean-Pascal Beintus, Orchestrations: Sylvain Morizet, Orchestrations: Nicolas Morizet, Score Co-ordinator and Programming: Xavier Forcioli, Score Producer: Dominique 'Solrey' Lemonnier, Music Editor: Lewis Morison, Music Editor: Peter Morison, Music Editor: Michael Pärt, Music Editor: Rael Jones, Score Recorded by: Peter Cobbin, Score Mixed by: Peter Cobbin, Kirsty Whalley, Music Preparation: Norbert Vergonjanne, Music Preparation: Claude Romano, Movement Choreographer: Alex Reynolds, Production Sound Mixer: Martin Beresford, Sound Recordist: Tim White, 1st Assistant Sound: Lee James, 2nd Assistant Sound: Julian Bale, Re-recording Mixer: Mike Prestwood Smith, Re-recording Mixer: Gilbert Lake, Supervising Sound Editor: Matt Skelding, Dialogue Editor: Dan Morgan, Sound Effects Editor: Steve Browell, Sound Effects Editor: Phil Lee, Sound Effects Editor: Alistair Hawkins, Sound Effects Editor: Julian Slater, Crowd ADR: Ginger & Blue, ADR Recordist: Mike Tehrani, ADR Mixer: Peter Gleaves, ADR Voice Casting: Louis Elman, ADR Voice Casting: Abigail Barbier, Foley Supervisor: Arthur Holland Graley, Foley Artist: Peter Burgis, Foley Artist: Jack Stew, Foley Mixer: Glen Gathard, Foley Mixer: Pete Hanson, Assistant Foley Mixer: Jemma Riley-Tolch, Foley Editor: Linda Brenon, Stunt Co-ordinator: Olivier Bisback, Research Consultant: Nikolaj Pors, Sabine Meyer, Legal Services: Fieldfisher, Post-production Script Services: DeLuxe Media, Dialect Coach: Penny Dyer, Dialect Coach: Julia Wilson-Dickson, Dialect Coach ADR: Anne Walsh, Dog Training: Animals Galore, Unit Publicist: Stacy Mann, EPK [Electronic Press Kit]: PMA Film & Television, Camera and Equipment: Panavision, Lighting Equipment: Panalux, Costumes also provided by: Cosprop, Costumes also provided by: Angels the Costumiers, Costumes also provided by: Cornejo, Costumes also provided by: Aram, Costumes also provided by: Le Vestiaire, Costumes also provided by: C20 Vintage, Costumes also provided by: Sophie Millard, Costumes also provided by: Funn Stockings, Frivolite, Wigs: Alex Rouse Wig Company, Digital Intermediate: Goldcrest Post-production, Digital Colourist: Adam Glasman, Digital On-line Editor: Sinéad Cronin, Daniel Tomlinson, Digital On-Line Editor: Russell White, Digital Intermediate Producer: Jonathan Collard, Digital Intermediate Assistant Colourist: Maria Chamberlain, Diana Vasquez, With Special Thanks to: Neil Labute
Cast
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Eddie Redmayne (Einar Wegener, ‘Lili Elbe’), Alicia Vikander (Gerda Wegener), Ben Whishaw (Henrik), Sebastian Koch (Dr Kurt Warnekros), Amber Heard (Ulla), Matthias Schoenaerts (Hans), Tusse Silberg (older woman), Adrian Schiller (Rasmussen), Emerald Fennell (Elsa), Henry Pettigrew (Niels), Claus Bue (man at window), Peter Krag (stage doorman), Angela Curran (Dresser), Pixie (Hvappe), Richard Dixon (Fonnesbech), Pip Torrens (Dr Hexler), Paul Bigley (man in gallery), Nancy Crane (enthusiastic American woman), Nicola Sloane (brothel Madame), Sonya Cullingford (striptease artist), Clare Fettarappa (receptionist), Jake Graf (Henri), Victoria Emslie (gallery employee), Raphael Acloque (man in park 1), Alexander Devrient (man in park 2), Nicholas Woodeson (Dr Buson), Philip Arditti (Dr McBride), Miltos Yerolemou (Dr Mai), Cosima Shaw (hospital receptionist), Sophie Kennedy Clark (Ursula), Rebecca Root (nurse), Issy Van Randwyck (manageress), Aisha Fabienne Ross (shop assistant 1), Holly Weston (shop assistant 2), Eleanor Hafner (shop assistant 3), Maya Lindh (shop assistant 4), Rebecca Clay (scent customer), Erich Redman (concierge)
Books held in BFI Reuben Library
(1)
Title: Trans representations in contemporary, popular cinema: the transgender tipping pointAuthor: Richardson, Niall Pages: 189 pages
Description: The book also mentions Romeos (2011), Boy Meets Girl (2014) and Saturday Church (2017).